In Anticipation

This piece works with relational dynamics, not decoration. The two glass vessels look similar at first glance, but their attitudes differ: one stands wide and solid, the other narrower, carrying the fragile branch with its bright red berries. Same material, same water — different responsibilities. That contrast is the core tension: the imbalance that appears when one side becomes the carrier and the other remains the anchor.

The fruits reinforce the structure. The larger ones stay grounded, close to the base — stable, predictable. The smaller ones drift toward the margins, like the quieter roles people slide into when the balance shifts. Nothing here is random; every object marks a position in a system.

For me, the work captures the moment before something is said — the anticipation, the tilt in the dynamic, the awareness that small adjustments can change the whole arrangement. Collectors who look for minimal compositions with psychological precision will see the rarity here: a stillness that isn’t passive but loaded, held in exact equilibrium.